Your Anger is Cécred - Act II
How Beyoncé’s Act II (Cowboy Carter) is a reminder to alchemize our sacred anger and to study our history.
This will be a 3 part series where I break down Act I (Renaissance - studying yourself), Act II (Cowboy Carter - studying your history) and Act III (Unknown - stepping into the GREAT unknown). I believe that once we understand ourself and our history, we will be able to step into the great unknown with ease and leave an imprint on earth that will outlive our physical life. With that being said, if you have not already, check out the first part in this series here, but you don’t have to read it in order and honestly, if you’re truly part of the Beyhive, you know Cowboy Carter happened first.
Cowboy Carter
So how did Beyoncé begin working on Cowboy Carter? Well, it all started when she performed Daddy Lessons at the CMAs with the Chicks (fka the Dixie Chicks) in 2016. Their rendition of Daddy Lessons, beautiful might I add, was met with backlash from racist viewers of the CMAs. The online vitriol led to the performance being removed from the CMA’s website and social media posts; therefore, letting racism win instead of art. One of the largest critiques from the racist viewers was that she simply wasn’t country enough… a woman born in Houston, Texas with Texas, Louisiana, and Alabama roots who was often mocked for her country accent when she first hopped on the scene in the 1990s?!… Yeah, make it make sense. Anyways, that rightfully so made Beyoncé angry, so she alchemized her anger into a country album honoring her ancestors, spotlighting young and seasoned Black country musicians, and even incorporating some of the white pioneers of the genre. She used this album as a fuck you to the CMAs while simultaneously creating a mainstream revival of the genre, started by Black men and women. Not to mention, she also created two new businesses (Cécred and Sir Davis) stemming from her lineage in the whisky and hair business. This album, similar to Lemonade, was an album born from anger that went deeper than the surface, because the anger was sacred, ancestral. And guess what? Our girl got that AOTY!
I feel that this album, combined with Act I (Renaissance), is similar to a tree. Did you know that trees grow at the same rate outwardly as they do at the root? Meaning, the larger the tree, the deeper it’s roots. I am a firm believer than when we honor our ancestors and those that came before us, we will grow exponentially too. And that growth, is not just for us as individuals, but for our ancestors and those that come after us. Mind you, this does not solely mean your bloodline, it can mean the artists, entrepreneurs, therapists, etc. that come after you too. Think of Ms. Dolly P and her legacy, she bore no children, but her roots and limbs stretch so wide that fruit will continue to bear for multiple generations. As long as we keep her legacy alive, her tree will continue to bear fruit across education and the arts, which were a major part of her legacy.
Now that we have some background on the album, lets breakdown the tracklist. Listen here now, this is going to be a long one (27 tracks chile). So save this, listen to the audio version on Substack, or play the album in the background while I break it down. Got it? Good. Cowboy Carter! It’s time to strike a match and light up this juke joint.
Tracklist
“American Requiem” - Lets first define requiem. A requiem is a musical setting of the mass for the dead, TALK ABOUT AN INTRO. I am telling you, her anger is SACRED and runs deep, as does mine and yours; please take time to understand your anger as it is tied to your purpose… Sorry, I got to rambling, but one lyric that really gets me in this song, outside of her talking her shit, is “them big ideas are buried here.” As a Black woman from the South, I understood that line too well, where racism and patriarchy ensure our big ideas are buried and never see the light of day, especially those that may peacefully bring people together. I know it is uncomfy for people to hear, but America is built on violence and ensuring that big ideas stay in certain hands… Again, this being the album intro is her setting the stage on who America is and how it ties into her lineage, past and present.
“BlackbIIrd” - This is a remake of a popular song first sung by the Beatles, providing both hope and solidarity to Black Americans during the Civil Rights movement. Beyoncé is iconicly petty for placing this song after American Requiem for a few reasons, including the Beatles are a UK based band, not even American, and they are also not Black, but they too felt how unjust things were during the 1960s in America. She not only gives thanks to those that came before her by remaking the song famously sung by the Beatles, but she is creating space for Black country artists that while younger than her, she is inspired by their artistry. This song is a reminder that we are not too big or grown, to give credit to those who inspire us, both young and old, and that we can still have hope in our bodies, despite the ways of AmeriKKKa. Read more about Blackbird’s origin here.
Pause ⏸️. There will be multiple links throughout this article, because I want to not only honor Beyoncé’s artistry, but the rich history that came before her and helped create this album. Please be sure to click them to learn more.
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“16 Carriages” - My opinion on this song is that it is Beyoncé’s life running parallel to her ancestors’. Beyoncé left home at an early age to pursue her career as an artist with Destiny’s Child, just as her ancestors did in the South to ensure they left a lasting legacy through art and entrepreneurship. Remember, she is the grandbaby of a moonshine man and the women in her family, along with her Uncle Johnny, were in the fashion business. She left and never returned, which I am sure was her dream, but she did not realize she truly would never return to her home, nor her innocence. And while it was her dream, it was not easy (news flash, dreams are not easy) as she was underpaid and overwhelmed in comparison to other artists during that era. Yall remember the “I love whales” video? Destiny’s Child later confirmed that they were exhausted from traveling, not high; this is proof of her sacrifice to become the Beyoncé we know and love today. Despite the frustration and obstacles, Beyoncé and her ancestors didn’t fold, making their sacrifices something to be studied, as I am doing now. Lastly, Bey is telling us that the work her ancestors did for the same America that spoke ill of her country roots, she will ensure “you’ll remember me, cause WE (she alongside her ancestors) have something to prove.” Oh she cleared the CMAs and the naysayers with that one.
“Protector” - This is Rumi’s song and seeing Rumi perform this with Beyoncé was beautiful, my Gemini lil sis is a ki honey LOL. We got to see the lyrics of being her daughter’s protector and projector embodied, but it also coincides with the messaging of the tree that I believe is important in understanding this masterpiece of an album. Bey says “an apricot picked right off a giving tree, I gave water to the soil and now it feeds me”, telling us that they were handpicked for one another, especially after Beyoncé watered herself and her roots (aka ancestors). Lastly, as someone who desires motherhood, this describes the type of mother I want to be, protective, but also shining a light on my child and their dreams.
“My Rose” - This is Sir’s song, I believe? Either way, this is an insight on how she views her son; as a rose, beautiful but filled with thorns, as we all have. Beyoncé, flaws and all (hehe), reminds her Rose, to love their flaws/thorns, just as she loves him. Lastly, that she is hoping for the best for her baby, as any true mother does. I cannot lie, I could not find a deeper meaning to this song, it felt like she said exactly what needed to be said in 53 seconds.
“Smoke Hour * Willie Nelson” - I enjoyed this intermission and tuning of the radio because after studying the artists in the credits, they are all songs from popular Black American artists that have impacted the music industry ( Son House, Sister Rosetta Tharpe, Chuck Berry and Jesse Stone); again, she is honoring those who have passed, ancestors or not. It also goes to show that Black artists are not new to the country scene, but should be respected as the pioneers they are through their blues and rock contributions. Having Willie Nelson narrate this song is not only iconic, but another diss to the CMAs, that she is loved and cherished by the biggest country artists in the world and he is influenced by the Black artists that came before him.
Feel free to take a smoke break, cause we still have 20 more songs, but it is worth it! “Texas Hold ‘Em” - As a woman born in raised and Texas with roots that go back to the 1800s, I love this song! Anywho, this following “Smoke Hour” is perfection because there is no deep meaning in this song, but simply to take a break, let loose, head to the bar, have a drink, dance with somebody and forget about all the problems that feel dramatic. Yes, it is a lot going on in this world, as it always has been, but please have yourself some fun and lay your cards (aka worries) down. I would also like to note that Texas Hold ‘Em is a version of Poker, where two cards are privately held on to, per player. With Beyoncé singing “this aint Texas, aint no hold ‘em”, she is saying stop holding your worries so close to you and live, let loose. This is Break My Soul’s sister, very much “release your wiggle” vibes.
“Bodyguard” - I know people like to speculate this song is about Bey and Julius, but this to me is about her husband, Jay. She is her man’s protector, just as he is hers; similar to “ ‘03 Bonnie and Clyde”, this song’s big sister. She even mentions kevlar, which is a plastic fiber used to absorb or catch bullets or any form of blunt force, often used with officers, firefighters and those who ride motorcycles. Women, no matter how beautiful we are, are natural protectors over those we love. Have you ever seen a mother in the wild when her children are involved? Exactly! So in this song, she is asking, “can I be your bodyguard?” and I honestly think more in the spiritual sense than the physical sense. Can I be your safe space? Can I help you during your time of need? Will you let me defend you? And lastly, will you do the same for me? Now that I think about it, it is like Upgrade U and Plastic Off the Sofa. Baby she loves her some Jay-Z! LOL.
“Dolly P” - Having Dolly Parton in this song, similar to Willie Nelson, is again, a shot at the CMAs, who doubted her country roots. Country’s most notable artists are cosigning this project; therefore SHE. IS. COUNTRY.
“Jolene” - This rendition of Jolene is so good, whew. It is related to Lemonade’s “Sorry”. And boy I know Jolene, just like Becky with the good hair, hate they ever tried their men; these women are alchemists and it’s best to tread lightly. My favorite line from this song is “I’m still a Creole Banjee bitch from Louisianne”, followed by calling Jolene a bird. I know Bey, and Solange, have witch allegations and that line right there fed right into it. I am not saying Bey is a witch, but that line there will scare anyone straight to leave her and her family alone. Remember now, the song before this was bodyguard. She is already telling us she is protective of her man, likely in the spiritual realm, then this. Yeah you hussies be careful now.
Pause ⏸️. Not only is this album about her ancestors and family tree, it is also about her musical family tree. So many of the songs in this album coincide with other songs on other albums across her discography. I wonder if this was on purpose? Anyways, this woman is truly a genius who will be studied for centuries to come.
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“Daughter” - This song continues to paint the picture that Beyoncé is a real life protector. She doesn’t mind acting like her father, I am going to assume who is the Holy trinity, the same father that is colder than Titanic water… that Leo Mars and Scorpio moon aint playing. I get down the same way too when I am crossed, which is why I prefer to keep it cute. Okay sorry, back to the song, I just had to add that in there since we have similar placements. After basically explaining how she handled being double-crossed by a fake one, she prays and sings opera. Like bruh I am sorry this woman is crazy (complimentary), but those notes she is hitting does sound soothing to not only our spirit, but I am certain hers too; so soothing you forget that she just told us she beat a woman up! But wait, could this song be about Solange instead of Beyoncé? Hmmmm… is this the elevator showdown opera style? MIGHT I SUGGEST YOU DON’T FUCK WITH MY SIS!
“SpaghetII” - In this song we are introduced to the legendary Linda Martell and the concept of genres, you know because Beyoncé “can’t be country”. Instead, she decides to rap on a country beat with one of country’s newest artists, Shaboozey, who at first glance looks nothing like a country artist, which is why I believe she added him to this song; ugh her mind! UNIQUE! This woman merged new and old artists across multiple genres in under 3 minutes. My goodness, how can you not respect her artistry?! Only a plain Jane could. I wonder if this was the first song she made after the CMAs. Hmmm… “thought it was sweet when they was walkin’ in the back door of the kitchen, past the dirty dishes, now we on a mission”, “yall been played by the plagiaristic”. If you did not believe me earlier, I hope you believe me now, her anger is sacred, ancestral and deep. We all know how deep the plagiarism lies, with bland stolen music while dismissing or nickel and diming the actual creator. Or how it was cool when we “stayed in our places”, but no more, we have a mission, especially when we tap into the anger tracing back hundreds of years. Why do you think they are trying to make it great again…
“AllIIgator Tears” - What are alligator, or crocodile, tears? Alligators and crocodiles cry when they eat or hiss at their prey, which is where the idiom bore. In a nutshell, they are manipulative and insincere tears of remorse often formed before or after one intentionally harms another. In my opinion, this song is calling out the harmful behavior of America to it’s citizens, especially Black Americans. It is when we suit up to do the impossible that has been asked of us and actually do it - “you say move a mountain and I’ll throw on my boots”; it is when we fix problems created by others - “you say stop the river from runnin’, I’ll build a dam or two”; it is when we shapeshift in hope of gaining acceptance and adoration - “you say change religions, now I spend Sundays with you”. All of this to get little to nothing in return, but some fake ass tears. That is what is like to be Black in America.
“Smoke Hour II” - I love these intermissions with the legendary Willie Nelson, especially this one because he reminds us to be open to hearing something new or different, especially if a trusted source is turning us on to it.
Perfect time to share this article with your Beyhive friend or family member. “Just For Fun” - The feel of the album shifts to a more somber feeling, despite the title of the song. Something I noticed in this song outside of the lyrics, is the sound of horses trotting. If you listen closely, you can hear it too. This sound, coinciding with the lyrics, is telling us about life’s journey and how we may not know our purpose, but we will get through it, we will heal, and we might as well, despite the heaviness, go all out for fun. I enjoyed her also spotlighting another young Black country artist, Willie Jones, who incorporates hip-hop into his Louisiana inspired music.
“II Most Wanted” - Bey loves riding shotgun huh? LOL, I love that she included Miley Cyrus in this song, a Disney legend. But this song following “Just For Fun” is a different vibe than “Bodyguard” because it feels more mature, more serious. I’d like to think of “Bodyguard” as the honeymoon phase, whereas, “II Most Wanted” is the love after marriage, kids, and life has taken place. However, Beyoncé is saying regardless, she still wants to be Jay’s shotgun rider for life and she is still deeply in love. SHE LOVES THAT MAN DOWN HONEY! LOL. "II Most Wanted" is " '03 Bonnie and Clyde"’s baby, but “Bodyguard” is " '03 Bonnie and Clyde"’s sister.
“LevII’s Jeans” - After a few slow songs, Bey speeds it up a bit and entertains us with a fun love song, accompanied by another Texan, Post Malone; while referencing an American staple, Levi’s. This is real grown and sexy with lyrics such as, “that shoot breaks loose with perfect timing” and “baby let me rattle that snake with my venom”. I honestly don’t have much to say about this one, because it is simply a fun song about wanting to be in someone’s skin like some Levi’s jeans and a reminder to have fun with that special someone, despite the troubles of the world we live in.
“Flamenco” - This following LevII Jeans is interesting, because we go from pleasurable fun, back to the reality that physical life is not forever. Beyoncé expresses anticipatory grief as her reasoning of why she should settle down, asks for help from God, while knowing that despite our physical bodies inevitably changing and leaving this earth, our souls are still young. Death is a part of life, but it becomes more real as we age and conversations such as “day ones have been telling me that they won’t be around” remind us that we must savor the moments we have with one another. One of my favorite parts about this song is that she does not let us sit in the fear or grief, but to breathe until the deed is done. There is simply nothing we can do to control grief and death, but we can breathe and give flowers to those while they’re still here. Then, we meet an elder who she has given her flowers to throughout this album, Linda Martell.
“The Linda Martell Show” - Linda Martell was given her flowers in this album, by Beyoncé recognizing her contributions to country music, which in turn provided Linda with a new stage and audience. This goes to show that Bey was not just honoring those in her lineage, or those that passed on, but also those who came before her and are still here to experience her gratitude. Did you know? Linda Martell is known as the first commercially successful Black female artist in the country music field and the first to play the Grand Ole Opry? PUT SOME RESPECT ON HER NAME! She paved the way for so many Black country artists, including our girl Yoncé. Read more about Linda Martell here.
“Ya Ya” - Linda Martell was not kidding about this song stretching across multiple genres. There is rock, country, funk, and soul and honestly, this reminds me of Beyoncé's mentor, Tina Turner. While there are many things that can be said about "Ya Ya", something that stood out to me and made me listen from a different perspective was, the last few lyrics, where she states “Ahhhhh vote!” Once you hear that, you understand who and what the “ya ya ya ya ya ya ya ya” is. You know, the people who aren’t “political” or the “my vote doesn’t matter” crowd, who only want to have a good time and don’t want to be weighed down by the reality of the direction America is going in. Bey, and me, ain’t trying to hear that shit and I guess they don’t want to hear us either, cause talking about the truth of Black America’s history and the power of voting is a bunch of “ya ya ya ya ya ya ya ya” to some people. The messaging here is similar to Andre 3000’s “yall don’t wanna hear me, you just wanna dance”. I also think it is in there so subtly, but the tempo of the song, makes you realize this aint solely a fun song, it is a call to action.
“Oh Louisiana” - As a girl with roots from Louisiana, I enjoyed this song. And if you did not know, this is a Chuck Berry song, released in 1971. There is a Chuck Berry link above in Track 6 “Smoke Hour I”, but he is known as the Father of Rock and Roll. This song is interesting because there is rich Black American history in Louisiana, but it is also a place where people tend to leave and not return, given the lack of opportunities and the dark Southern history. I think many folks have a complicated relationship with Louisiana because so many of us have roots there that we are proud of, but there is pain there that brings shame; yet, we will still return tomorrow. I understand this is a controversial take, but based on the lyrics "I've stayed away from you too long", "How can a true love go so wrong?" and "I come home tomorrow" make me think how many Black southerners have roots there that they take immense pride in, but have moved elsewhere generations ago? And why did they move elsewhere? And how often do they return?
“Desert Eagle” - Nasty Yoncé is back again LOL. Do you know what a do-si-do is? It is a traditional square dance where partners circle one another. It is also a Girl Scouts oatmeal sandwich cookie, with a creamy peanut butter filling. Desert Eagle, like many of her sensual songs, is a double entendre. I won’t say much else, just read the lyrics if you haven’t already, because we all deserve some good old lovin’.
“RIIverdance” - Before I break down this song, it is important to note that riverdance is a style of dance that includes Irish step dancing and that the Irish were an integral part of Louisiana’s origins, specifically New Orleans. Not to mention, there is a musical titled Riverdance that focuses on Irish history, immigration, and the natural lifecycle of a river through music and dance. Bey is combining history, yet again, in an interesting love story. With Desert Eagle as its predecessor, you assume it is just about sex with the first few lyrics, “bounce on that shit dance”; however, it is about the complexity of love, heartbreak and endurance. I am inclined to assume that this song is about her relationship with her husband Jay, as "II Hands II Heaven" immediately follows.
“II Hands II Heaven” - At first glance, this is a love song and it absolutely is! It is one of the most popular wedding songs at the moment; however, I feel this song is actually about God’s love. Beyoncé is surrendering to the power of practicing forgiveness and releasing judgement. Look, we know about her marital struggles, but it is deeper than the love of her and Jay; it is asking God for forgiveness of her sins and allowing herself to not judge others for the life they live. And once you stop focusing on others’ life and on the hurt that has plagued you, you will experience the highest version of yourself that God called you to be; which is YOU AND ONLY YOU! To be more like God, we must practice less judgement and more forgiveness. Now I do think the final few parts of this song is about her and Jay… I mean “pull my fit over these hips, you grip I grind”. LOL!
Pause ⏸️. This song holds a special place in my heart, because “ever since I went to Marfa, ain’t no trouble on my mind, singing sweet songs to Las Vegas singing I will carry on…” So yeah, I have been to Marfa, TX and the serenity of nature and “nothingness” made me realize what truly mattered and what didn’t; my friend described it as a nervous system reset. Then to top it off, I attended the final show of the Cowboy Carter tour in Las Vegas, where Destiny’s Child performed. I honestly feel like that night reminded me how special my life truly is. I know it is extra, but hear me out… How many people can say they were there? Not many, but I get to and that is something that makes me feel special on the rough days.
That sounds cultish. Am I in a cult? Oh well. Click here to hear my reaction to seeing Destiny’s Child.
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“Tyrant” - Merriam Webster’s defines a tyrant as, a ruler who exercises absolute power oppressively or brutally. Obviously this is a sensual song, but the lyrics that kept making me feel “Tyrant” was deeper and darker were “How did you get used to the haunting? The willing? The missing? The wanting? Dry eyes just send me across the divide. Hangman, teach me how not to cry, how not to cry, how not to cry...” Then later followed by “Lady with a whip want what she wanna want.” This song is about using force; Bey is wanting to know, how can one be “okay” after inflicting violence, even if you do get what you want? I won’t say too much more, but take a minute to think after a few spins to understand this song in the context of the album...
“Sweet * Honey * BuckIIn’” - This song is broken into 3 acts, I mean pieces. Wait, hear me out, I think this is a hint about all 3 acts! At first it is sweet, real country like with Shaboozey featured; then Bey gives a very Renaissance-esque song where we are transported into some pure honey; and finally she ends with some buckin by talking her shit like your favorite rapper would… Now go listen to this song again and tell me Act III ain’t a rap album! And then make sure you read my article on Act III (Stepping Into the GREAT Unknown).
“Amen” - Bey closes out the album the same way she started, by calling out America and the truth of it’s origins. Through lyrics such as, “This house was built with blood and bone and it crumbled, yes it crumbled. The statues they made were beautiful, but they were lies of stone, they were lies of stone.” and “We’ll say a prayer for what has been. We’ll be the ones that purify our father’s sins. American Requiem”, Beyonce is acknowledging the pain of the past, while uniting us toward forward action. This is the perfect ending to describe what it feels like to be a Black American woman who’s roots built the place that has spent years dismissing us and our contributions. I believe many people have different experiences of what it feels like to be American and this is her story, as well as so many others that needs to be acknowledged. So yeah, fuck you CMAs! This anger is SACRED, this anger is AMERICAN, this anger is CUNTRY.
In conclusion, Act II (Cowboy Carter)’s messaging is about knowing our history which includes appreciating our bloodline (alive and deceased), giving thanks to the artists that came before us (alive and deceased), while acknowledging those newer artists that are creating history in the present. This album is also about using your sacred anger to create art, honor those you appreciate, and lead a life filled with love and forgiveness. Side note: Cowboy Carter also made me a bigger stan of that Creole horse lady!
Personal Study
As mentioned in the beginning, anger was the catalyst to Cowboy Carter. Had there been no anger, we would have no Cowboy Carter. The anger was much deeper than Beyoncé’s ego, because it was an attack on her lineage and the Black country artists that created the genre. You see, country music began with a banjo and spiritual songs carried over from our African ancestors. Similar to the blues, it was created out of their anger and grief living in rural America while being enslaved whether physically or mentally. Another reason to alchemize your anger, you could create a whole genre and start a movement… just a thought instead of crashing out when life hands you lemons.
Pause ⏸️. I think Beyoncé did crash out, but in the safety of her home and her beloved circle, as opposed to publicly. I mean have you heard Ring the Alarm or Lemonade? She also has a Leo mars and Scorpio moon, that anger does not play! Fun fact those are two placements we share, so I know a thing or two. Do you share any astrology placements with the Queen? Anywho, crashing out is vital to processing our emotions, but there is a time, place and way to do so. And after the crash out, you probably can alchemize that sacred anger, because yes anger is just as sacred as joy, into a creative project or God ordained pivot into your purpose.
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Which leads me to my next point, the dreams and aspirations of those that came before us don’t have to end when they leave this world in the physical; we can continue to water them by giving thanks and studying them. Sure, Beyoncé did not follow her grandfather’s footsteps exactly to honor him, but she did use the profit from her talents to continue a family business that began before her with Sir Davis. Beyoncé also did not have to be a hair dresser like her mother, but she has honored her by building a brand that began with Mama Tina’s passion, Cécred.
Cowboy Carter is also the epitome of ancestral veneration. Ancestral veneration is not some demonic, ghostly, or witchy thing; it is giving thanks to our ancestors, remembering their impact and continuing to keep their spirit alive. We do this unconsciously all the time through cooking their favorite meals, naming streets and scholarships after those who have passed on, a remembrance seat or table at a wedding, and SO MUCH MORE. Some are more conscious of honoring our ancestors, such as keeping an altar, but I do think it is important that we do not leave our loved one’s behind once they’ve left in the physical. Imagine your closest people completely forgetting about you because you died. You wouldn’t want that would you? Alrighty then! Now gone head and honor your people!
Before I let you goooooooOOOOOOooooOOOO, I will leave you here with this today, what are ways you can honor those that came before you? What artists can you study as you continue perfecting your craft? I will go first. I constantly honor my maternal ancestors, since they each carried me in their womb (alive and deceased). I do so by speaking to them about my worries and accomplishments, reminisce through pictures, cook meals that they once cooked for me, and discuss memories with other family members and friends. As for artists, I have been learning about authors that came before me to remind me what is possible and that I am a continuation of their dreams though we have never met (alive and deceased), such as Octavia Butler, J. California Cooper, Kristina Forest, and Alice Walker.
Thank you so much for taking time to read this piece. While Act I is my favorite of the II to listen to, Act II’s messaging and tour is my favorite. I am so excited to conclude this series with Act III - stepping into the great unknown, after studying yourself (Act I) and your history (Act II). I hope to see you back here Friday, September 18th SOON BECAUSE LIFE GOT IN THE WAY, to discuss Act III and as always, please like, comment and share with a friend if you feel inclined. Until next time.
Want to read more of my work? Below are two pieces related to alchemizing your anger, followed by You Are the Visual Baby - Act I.
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